The University of Massachusetts Amherst
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Visiting Artist Lecture: Sreshta Premnath

Sreshta Rit Premnath (b. 1979, Bangalore, India; lives in Brooklyn, NY) is an artist and the founding editor of Shifter, an issue-based journal featuring contemporary art, creative writing, and critical theory. Premnath also directs the BFA Fine Art program at Parsons School of Design in New York. His work has been the focus of solo exhibitions at Spaces, Cleveland (2007); Wave Hill, New York (2011); Contemporary Art Museum, St. Louis (2012); Nomas Foundation, Rome (2017); and the Contemporary Art Gallery, Vancouver (2019), among others. He has participated in group exhibitions including The Matter Within: New Contemporary Art of India, Yerba Buena Center for the Arts, San Francisco (2011); The Hollow Center, Smack Mellon, New York (2013); Common Space, The Kitchen, New York (2014); After Midnight, The Queens Museum, New York; So-Called Utopias, Logan Center for the Arts, Chicago (both 2015); Cartography of Ghosts, The Drawing Center, New York (2016); The Socrates Annual, Socrates Sculpture Park, New York (2017); and L’Intrus Redux, Westfälischer Kunstverein, Münster (2019), among others. He holds a BFA from The Cleveland Institute of Art (2003) and an MFA from Bard College (2006).

Sreshta Rit Premnath creates works in sculpture, video, photography, and installation that draw on the formal legacies of minimalism and conceptualism to think through the politics of boundaries, bodies, and labor. In Premnath’s work, the use of a line, for example, is never neutral or abstract, but rather speaks to the power to demarcate and displace. The corrugated panels, cardboard, metal fencing, and freight materials that often compose his works are not merely convenient modular readymades, but the raw material that visibly indicates “development,” and the consolidation of wealth that tends to result. Recently, questions of space—who can own or occupy it—have guided Premnath’s work, as has the artist’s investigations of visibility, invisibility, and misrecognition as part of the everyday experiences of those who are marginalized.